Spirit Animal

Sea Turtle Spirit Animal

Sea turtle spirit animal meaning, distinguished from the broader turtle page and focused on Pacific traditions: Hawaiian honu 'aumakua, the Japanese Urashima Tarō tale, and Māori whai and related Polynesian practices.

Published

Natural history plate illustrating three sea turtle species from Lacépède's Histoire naturelle des quadrupèdes-ovipares, 1819.
Sea turtles from Lacépède's Histoire naturelle des quadrupèdes-ovipares (1819). The world-turtle recurs across cultures: Kurma in Hindu cosmology, the Great Turtle in Iroquois creation tradition, the Akupara in the Mahabharata. Bernard Germain de Lacépède, Histoire naturelle des quadrupèdes-ovipares (1819). Public domain via Wikimedia Commons.

Sea turtles have distinct Pacific spiritual traditions separate from the broader turtle traditions on our turtle page. The Hawaiian honu is an 'aumakua for specific families, documented by Martha Beckwith and Mary Kawena Pukui. The Japanese Urashima Tarō folk-tale (Nihon Shoki, Man'yōshū) has a fisherman rescue a sea turtle that is revealed as a transformed princess of the Dragon-Palace. Māori whai (sea turtle) traditions preserve specific iwi narratives, and Samoan/Tongan oral tradition includes sea-turtle-creation material. All seven sea turtle species are IUCN-listed Vulnerable to Critically Endangered.

Sea turtles have distinct Pacific spiritual traditions. See our turtle page for Haudenosaunee Turtle Island, Hindu Kurma, and Chinese Xuanwu. This page focuses on Pacific sea-turtle-specific material.

Three Pacific threads

Hawaiian honu. ‘Aumakua for specific families. Green sea turtle (Chelonia mydas). Beckwith 1940, Pukui 1972, Pu’uloa petroglyphs.

Urashima Tarō. Nihon Shoki (720 CE), Man’yōshū (c. 759 CE). Fisherman rescues sea turtle, visits Dragon-Palace, three days = three hundred years.

Māori whai. Te Rangi Hīroa 1949. Parallel Samoan laumei and Tongan fonu.

Andrews 1993

Ancient journey, oceanic wisdom. Honest but thin against the Pacific sources.

Across traditions

Hawaiian (honu 'aumakua)

See our turtle page for the foundational Hawaiian honu treatment. Specific to sea turtles: the honu ('aumakua for specific families) is the green sea turtle Chelonia mydas, documented by Martha Beckwith's Hawaiian Mythology (University of Hawai'i Press, 1940) and Mary Kawena Pukui's Nānā I Ke Kumu (Queen Liliʻuokalani Children's Center, 1972).

The Pu'uloa petroglyph field in Hawai'i Volcanoes National Park contains thousands of honu carvings, one of the largest petroglyph concentrations in the Pacific.

  • PEER-REVIEWED Martha Beckwith, Hawaiian Mythology — University of Hawai'i Press, 1940.
  • PRIMARY Mary Kawena Pukui, Nānā I Ke Kumu — Queen Liliʻuokalani Children's Center, 1972.
  • MUSEUM Pu'uloa petroglyph field

Japanese (Urashima Tarō)

The Urashima Tarō tale, one of the oldest Japanese folk-narratives, appears in fragmentary form in the Nihon Shoki (720 CE) and in the Man'yōshū (c. 759 CE). A fisherman named Urashima Tarō rescues a sea turtle being tormented by children; the turtle is revealed as a princess of the Dragon-Palace of the sea-god, who takes Urashima to her palace. When he returns to the land after what he thinks is three days, three hundred years have passed.

Donald Keene's Anthology of Japanese Literature (Grove Press, 1955) and subsequent Japanese-folklore scholarship preserve the variants. The tale is one of the most-recognized Japanese folk-stories and has been adapted across centuries of Japanese visual culture.

  • PRIMARY Nihon Shoki (720 CE), Urashima references — Aston trans., Tuttle, 1896/1972.
  • PRIMARY Man'yōshū (c. 759 CE) — Honda trans., Hokuseido Press, 1967.
  • PEER-REVIEWED Donald Keene, Anthology of Japanese Literature — Grove Press, 1955.

Māori and Polynesian (whai, fonu)

Māori whai (sea turtle) traditions are documented in Te Rangi Hīroa's The Coming of the Maori (Māori Purposes Fund Board, 1949) and in specific iwi (tribal) narratives. Samoan laumei and Tongan fonu preserve parallel Polynesian sea-turtle material. Across the Pacific the sea turtle is a navigator-animal, an ancestor-figure, and sometimes a transformed human.

  • PRIMARY Te Rangi Hīroa, The Coming of the Maori — Māori Purposes Fund Board, 1949.
  • PRIMARY Elsdon Best, The Maori — 1924.

Ted Andrews (1993)

Andrews's 1993 sea turtle is the ancient-journey-oceanic-wisdom figure drawn generically. The Pacific specific traditions are gestured at without named sources.

  • REFERENCE Ted Andrews, Animal Speak — Llewellyn, September 1993.

Frequently asked

What does a sea turtle symbolize spiritually?
In modern pop usage, ancient journey, oceanic wisdom, and long-lived patience. Pacific traditions are most substantive. Hawaiian honu is an 'aumakua for specific families (Beckwith 1940, Pukui 1972). The Japanese Urashima Tarō folk-tale (Nihon Shoki, Man'yōshū) has a fisherman rescue a sea turtle revealed as a princess of the Dragon-Palace. Māori whai and Samoan/Tongan fonu preserve parallel Polynesian sea-turtle material.
What is the Urashima Tarō story?
One of the oldest Japanese folk-narratives. A fisherman named Urashima Tarō rescues a sea turtle being tormented by children; the turtle is revealed as a princess of the Dragon-Palace of the sea-god, who takes Urashima to her palace. When he returns to the land after what he thinks is three days, three hundred years have passed. Fragments appear in the Nihon Shoki (720 CE) and Man'yōshū (c. 759 CE); Donald Keene's Anthology of Japanese Literature (Grove Press, 1955) preserves the variants.
How is the sea turtle different from the regular turtle spiritually?
Sea turtles have distinct Pacific-ocean traditions (Hawaiian honu, Japanese Urashima, Māori whai, Samoan laumei) separate from the freshwater and land-turtle traditions on our turtle page (Haudenosaunee Turtle Island, Hindu Kurma, Chinese Xuanwu). The two overlap but are documented in different primary sources.

Sources

  1. PEER-REVIEWEDMartha Beckwith, Hawaiian Mythology — UH Press, 1940.
  2. PRIMARYMary Kawena Pukui, Nānā I Ke Kumu — Queen Liliʻuokalani Children's Center, 1972.
  3. MUSEUMPu'uloa petroglyph field
  4. PRIMARYNihon Shoki (720 CE) — Aston trans., Tuttle, 1972.
  5. PRIMARYMan'yōshū — Honda trans., 1967.
  6. PEER-REVIEWEDDonald Keene, Anthology of Japanese Literature — Grove Press, 1955.
  7. PRIMARYTe Rangi Hīroa, The Coming of the Maori — Māori Purposes Fund Board, 1949.
  8. REFERENCETed Andrews, Animal Speak — Llewellyn, September 1993.